Free Ebook Basics Animation 03: Drawing for Animation, by Paul Wells
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Basics Animation 03: Drawing for Animation, by Paul Wells
Free Ebook Basics Animation 03: Drawing for Animation, by Paul Wells
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Basics Animation 03: Drawing for Animation introduces readers to the practice of drawing images for use in animation. It examines the thinking process and techniques involved with drawing characters, composition and movement, narrative and adaptation.
Drawing is a fundamental part of the preparatory stages of virtually all design-led projects. It is the core method by which ideas and concepts are envisaged and ultimately shared with collaborators, clients and audiences.
Aimed at students and those interested in entering the animation business, this book explores the pre-production work essential for producing great animation. It gives readers a real insight into this work through its outstanding range of images.
- Sales Rank: #1613154 in Books
- Brand: Brand: Fairchild Books
- Published on: 2008-12-01
- Released on: 2008-12-09
- Original language: English
- Number of items: 1
- Dimensions: 9.05" h x .66" w x 6.50" l, 1.15 pounds
- Binding: Paperback
- 192 pages
- Used Book in Good Condition
Review
'It covers a huge subject area in an accessible and readable way. The layout is good and helps the reader access areas of particular interest. The best thing about the book is the quality and relevance of the illustrations.' Samantha Moore, University of Wolverhampton, UK. 'This book is an excellent text explaining the importance of drawing for animation with relevant illustrations.' Diane Joyce, Glasgow Caledonian University, UK. 'This is excellent in terms of historically accurate content. I am particularly interested in the storyboarding content ... it is outstanding in terms of being easily read and well illustrated.' Darren Wall, Leeds Metropolitan University, UK. 'A good book that gives the reader a good insight into the working processes of a range of animators. There is a good range of how to/developing ideas and animations with some very practical and achievable advice.' Michael Smith, Leeds College of Art, UK.
About the Author
Professor Paul Wells is director of the Animation Academy at Loughborough University. He has also lectured extensively in universities across the world on animation. Joanna Quinn is a major figure in world animation, receiving two Academy Award nominations and winning Emmys, Baftas, and Jury prizes worldwide. She lectures at universities and film schools in Britain and abroad. Les Mills was the course director in Film and Animation Production at the University of Wales. He now runs an animation production studio in Cardiff with Joanna Quinn. Les's work has received an Oscar nomination and won three Emmys.
Most helpful customer reviews
0 of 0 people found the following review helpful.
It was an interesting read, but not very helpful ...
By B. Jones
It was an interesting read, but not very helpful. It doesn't so much teach anything about drawing as much as attack Disney and promote a few rather uninteresting artists. I'm all for alternatives to Disney style, but this was pretentious and not very helpful as an animation education text. If you are interested in animation and can get past the prattle, it is worth reading, just try and buy it on the cheap.
0 of 0 people found the following review helpful.
Awesome for the start
By Terri Rowley
This is a good pickup for the introduction of the drawing required in animation that the set of AVA books has to offer. There are brief projects to try throughout the series, and more hints on approaching the career in obtaining a masterful grasp of the craft. The whole series is more about opening one's mind to a new way of thinking that is relevant to the field of animation. The series does provide a plentiful amount of gems that are not in any other books on the subject, and it also covers some reiterations, yet at times they are more reinterpretations. The picture qualities in all of these provide excellent sources to extrapolate inspiration and references.
1 of 1 people found the following review helpful.
Good, scholarly, but not definitive
By M. Smith
Quite a good book, thanks to well-chosen illustrations and the insights of artists like Joanna Quinn and Nina Paley. Unfortunately, author Paul Wells makes you fight your way through sentences like: "When drawing provides the infrastructure of an approach there is always a relationship between the psychology of creative practice and its technical applications." This sort of writing works when it's the only way to express a complicated idea, but here it seems to be academese for its own sake. You end up having no idea whether Wells himself draws, which you'd think would be a prerequisite for writing a book on drawing. For more useful texts on the subject, see Don Graham's "Composing Pictures" and Walt Stanchfield's "Drawn to Life" volumes.
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